Don’t coffee-block your smile Trident Ad campaign -
BRANSCH artist Thomas Mangold worked with JWT New York on a campaign for Trident White chewing gum.
(Source: pixel-addiction, via helloyoucreatives)
Hi! I'm Elyse Gibson, an advertising copywriter in Minneapolis. I love all things design, pop culture and creative. Think in Bright Colors is a compilation of my favorite ad/design/interactive work, inspirations and beyond. To check out my advertising portfolio, visit www.elysegibson.com.
Don’t coffee-block your smile Trident Ad campaign -
BRANSCH artist Thomas Mangold worked with JWT New York on a campaign for Trident White chewing gum.
(Source: pixel-addiction, via helloyoucreatives)
“Recipe receipts” is a rad campaign idea for Hellman’s done by my friends at Ogilvy Brazil in Sao Paulo. They created a special software they installed at cash registers in supermarkets that knew when someone purchased Hellman’s and would spit out a custom recipe based on the other items in their grocery cart. Pretty smooth idea.
Hilarious idea. Thanks to the Magnificent Molly Miller for sending it my way.
A recent study commissioned by San-Francisco-based ad agency Heat and conducted this past March by iThink confirmed what so many of us already know. People who work in advertising are “not normal.”
WELL. YA DON’T SAY.
A couple interesting facts from the report:
This is my shocked face.
The copy reads: “Home theater 3D sound LG. Every side of the sound.”
Cute print ads from Y&R Sao Paulo, Brazil
(Source: themplsegotist.com)
I stumbled across this brilliant logo (designed by the Dubai-based DDB) today for the Committee of Organ Donation in Lebanon. I think it’s so successful because it’s both informative and playful while brilliantly communicating what the organization does in a creative, unexpected way. Just splendid.
Let’s start at the beginning for those people who don’t work in advertising and aren’t obsessed with Mad Men.
Like most companies, ad agencies are composed of different departments. You’ve got the wacky Creative Department, the schmoozy Account Services Department, the impressions-obsessed Media Department and its cool kid brother the Social Media Department, Production, Strategy and so on. Each one has its own specialty and its own way of helping clients and the agency itself reach its business goals.
Now Creative and Account Services have been duking it out Sharks/Jets-style long before West Side Story. They’re constantly wrestling for control because each department has its own distinct goals—and not-so-shockingly they don’t always align.
Creative wants to make ads that are cool, unique, meaningful and—do I really have to say it? Creative! They want to make work that cuts through the clutter, inspires its audience, is on-brand for their client and looks hot in their portfolio.
Meanwhile, Account Services’ main goal is to please the client and keep winning new projects. They want to present work that the client will buy and be pleased with. As long as the client is happy and quiet and paying their invoices, account executives are happy.
Sometimes the Hayley’s Comet of advertising occurs and these two very different things align in a beautifully magical way. This happens when the client is open-minded, when the account services people trust the creatives and when the creatives are hungry and inspired. When everyone on the team has the same vision, the same goals and the same taste…that’s something really rare.
Naturally some creatives are more client-sensitive and some account people are more creative-sensitive. Personally, I’ve always been…how do I put this…less than account services-sensitive. I’ve always been Team Creative. Team Do What’s the Coolest. Ha! The brief? Whatever. We can do something WAY cooler than this. They might know what they like, but they don’t know what they need! It’s up to us to come up with something great and sell them on it! Let’s make robots and shoot the whole thing in Bali!
WHAT’S A BUDGET!?
Well, I had a professional epiphany about all this during our wedding planning.
Wedding planning did something very funny. It turned the tables, turning ME into a client. Suddenly I was the one dishing out money and being schmoozed and “serviced” (hahaha, serviced…) and the whole process has been a tremendously eye-opening experience for me professionally.
My favorite vendors are the ones who are proactive. Who get me. Who know what I want. They keep me in the loop but don’t harass me. They never bully me into decisions and don’t act out of convenience or ego. They explain WHY certain things will work or won’t work, and help brainstorm new ideas that I hadn’t thought of. They’re big picture people who actually listen to me and respect me. They get me, get my budget and work WITH me instead of bulldozing me or ignoring me. They incorporate what’s important to me, but use their own experience to give me insight that I wouldn’t have known on my own. Oh also, I ENJOY working with them! I like them!
Then there are the vendors who I dread calling. Who make me feel stupid or silly or poor. They care more about what’s going on with them and their own vision, rather than what I want. And, guess what—that feeling TOTALLY SUCKS. Knowing that someone doesn’t care about what you want or doesn’t care about going out of their way to help you is a lonely, depressing feeling. When they just want to do what’s easy and what’s comfortable for them; it super blows. It makes me anxious and self-conscious all at once…both bad things for a paying client to feel.
So of course now at work, I want to be the fun vendor! The one who is creative and collaborative rather than selfish and hostile with something to prove. Now, when I’m concepting or writing headlines, I try to be more client-sensitive and less self-serving. I try to make it less about my ego and more about what the client wants and has asked for. It’s a tricky balance; the client/vendor relationship. Clients hire vendors because the vendor is the expert. If I knew everything about hair, and I knew EXACTLY how I wanted my wedding hair done and exactly how to do it, I’d just do it myself. Easy. But I don’t have those skills, so I have to hire people who will get the job done for me; who understand my vision and will help me get the results that I want. Beautiful, modern, whimsical non-cheesy wedding hair. So I can tell the hair stylist what I want, but I have to trust that if I want to wear my thick hair down during my summer wedding, she’ll tell me that the humidity will make it pouf out and look flat. I need her to steer me in the right direction and be honest with me about my expectations. We have to work together to make sure I’m happy and they’re not promising me things they can’t deliver.
This teamwork is what it all comes down to. Everyone using their own unique skill set for good and working towards a common vision. When the creative team is rocking it out and the account services team is schmoozing and up-selling and making the client feel confident and excited…that’s the Hayley’s Comet. We need to keep working collaboratively, being sensitive to everyone’s needs and specialties, and we need to push one another to create the very best work and relationships we can. So my next professional goal? To help facilitate more Hayley’s Comets here at work and in my life in general.
But that sounds pretty ambitious. So maybe I’ll just start once I get back from my honeymoon.
Yeah, that sounds good.
LOVE this idea from Dove. Unfortunately the app does not work in the United States, but here’s hoping it will be successful and make its way across the pond soon. Read more about the campaign on the Huffington Post here.
(Source: facebook.com)
Awesome campaign idea for Craftsmen Tools by Y&R.
Heart-warming spot by P&G for their sponsorship of the Olympics. And moms, in general, apparently.
“The hardest job in the world, is the best job in the world.”
Killer.
Love this spot for ESPN. I’ve actually wondered what life is like for all the Chris Brown’s and Michael Jackson’s of the world. Now I know.
The tagline: “It’s not crazy. It’s sports.”
This video by the good folks over at www.idee-ade.de really shows how easily a good idea can die in an agency setting. It’s a couple years old, but my dear friend Ainara posted it on Facebook and I just had to throw it up here to show how a handful of scared, silly people can change the entire future (not just ads, but new ideas and inventions).
The video also made me laugh because my Mom and I were JUST talking about focus groups last night and how stupid they are. She had just participated in one for a grocery store back in DC and she could not figure it out how it was useful.
Anywho, I’m off to record a radio spot for Target today. Wish me luck!
“To launch the high quality TV channel TNT in Belgium we placed a big red push button on an average Flemish square of an average Flemish town. A sign with the text “Push to add drama” invited people to use the button. And then we waited… Discover here what happened or visit http://www.tnt-tv.be for more info.”
Talk about dramatic.